Producer Ayase interpolates prose as music alongside Ikura in Japan’s diamond-certified superduo YOASOBI. Atwood sits down with him ahead of YOASOBI’s first American performance to talk about this unique process and their new single, “Idol.”
Read MoreGet to know Atwood Magazine‘s writers in our special column where they become the interviewees, sharing their personal playlists and talking about their experiences covering music!
Read MoreAnother consummate release from TWICE with their bevy of songwriters and producers, ‘Formula of Love: O+T=<3’ stands out among its contemporaries with eclectic influences and strong features.
Read More“The Feels” is an ecstatic celebration of TWICE that brings a dramatically different energy than their girl group contemporaries to fans across the globe.
Read MoreHEALTH’s 2019 single “FEEL NOTHING” is a grim, throbbing composition about anesthesia at the end of the world.
Read MorePsychedelic Porn Crumpets’ Jack McEwan discusses the aftermath of touring, how Australia’s relative success with COVID is slowly bringing back live music, and the revival of psychedelia.
Read MoreAustrian band Mother’s Cake’s ‘Cyberfunk!’ proves incredibly polished, and “The Operator” is a standout for its rhythm and violence in turns.
Read MoreThe best selling girl group of all time, TWICE show their chops with more sophisticated songs, a bevy of international collaborators, and a strong theme of growth on ‘Eyes Wide Open.’
Read More“Whoo! Alright – Yeah…Uh Huh.” sets fire to a dance floor and then questions the ambitions of rock as an art form.
Read MoreHaru Nemuri, the stage name of Haruna Kimishima, self-described “poetry rapper” delivered one of the most singular albums of 2022 thus far.
Read More‘May Our Chambers Be Full’, the debut collaboration between Thou and Emma Ruth Rundle, feels like a natural synthesis of the artists’ styles from its blasphemous aesthetics, to its bleak lyrics.
Read More“Nightmares” takes Alice Glass’s solo heading and amplifies, toys with it, negotiating some of Glass’ rawer instincts.
Read MoreRun the Jewels’ rage is an explosion against a disease the US has been grappling with since time immemorial, and with ‘RTJ4’, that rage has only grown more precise and cutting.
Read MoreWith the tedium of modern pop reaching what might be its apex, Loose Fit and their debut single “Pull the Lever” seem tailor-made to lead a rebellion against the tawdry tracks that dominate the attention economy.
Read MoreLos Angeles band Idle Joy’s devil-may-care attitude will grip listeners on their driving, bluesy new track “Neighbors.”
Read MoreRina Sawayama’s “Comme des Garçons” is a tapestry of fat bass and dancefloor flair that digs its claws into a catchy hook and transmutes that hook into a killer single.
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